This year I approached Context of Practice slightly differently than last year, largely due to my understanding of the module’s purpose this time around. Going into it, I knew that there had to be a continual synthesis between my theoretical and practical work and I feel that for the most part I succeeded in implementing this. I found that my practical explorations at several key points helped inform my theoretical work and vice versa. Due to awareness of the module this year, I made a point of continually researching throughout the year, be it by watching video clips, reading news articles and collecting ephemera concerning politics. However, whilst the amount of research this year dwarfed what I did OUIL401, I found that it was perhaps somewhat unfocused; this resulted in a portion of my research becoming redundant once I’d settled on an essay question. Going into Level 6 I will have to resolve this issue - my research will need to be focused and relevant.
It is due to my research that I was able to make critical, and logical decisions in both my theoretical and practical work. My wide research base allowed me to make informed triangulated arguments within my essay, resulting in it being quite a smooth discussion to produce. Similarly, my developing knowledge of politics allowed me to create an strong, and at times humorous, practical piece that commented on the government and our attitudes towards it. I am very impressed with my practical piece as a whole, not just due to its theoretical foundations but also because of my exploration of media. Initially I tried to create a piece of work with hand, like the great cartoonists of the past such as James Gillray or modern cartoonists Steve Bell or Martin Rowson. However after many attempts at producing work in this method I returned to my guilty pleasure - digital. But digital as a sole method of production also failed to create an aesthetically pleasing outcome, it was only when I merged the two methods that my work truly came alive in my opinion. Despite my positive appraisal of my final product there are understandably a few issues that remain within it. Firstly, that characters within my book could have been improved upon somewhat - this could have been done with repetitive drawings as I found my stronger character designs generally came about due to this process. Secondly, the physical production of the book could have had more care given to it. Several of the pages are trimmed quite tightly and, although not apparent to the casual observer, are a thorn in my side. Perhaps more time could have been spent on its assembly to allow for a more careful hand crafted piece. Finally, although I am happy with the colouring of the book I feel more could have been done with it to create something truly memorable in a visual capacity.
Additionally, I feel that if I were to go back and do this module again I would have done a few other things differently, such as; the Nazi propaganda discussion within my essay. Whilst I felt that this was an interesting part of the paper, it seemed somewhat detached from the rest of the essay. I could potentially have found a way to better intricate it into the rest of the discussion. Given the time again I would also begin drafting my essay much earlier on within the year as I could have began writing segments of it much earlier on rather that waiting for a specific prolonged period of time (the Christmas holidays) to write it. That however shouldn’t act as reflection of my time management within this project, as I am in fact very pleased with my assertiveness throughout this year despite a few stumbles early on. I feel that my management of this module has provided me the time to get informed feedback from my peers and allowed me to make alterations to both my theoretical and practical work where needed.
I hope to improve upon my increasingly assertive attitude towards Context of Practice going into Level 6 as I feel that such a mindset will be integral to my dissertation and the body of work that will accompany it.
To celebrate handing my work in I made this image of David Cameron being adorned by his fate cat followers.